Leo XIV: Music as a Synodal Path of Faith and Joy
In the Jubilee of Choirs. Homily for the Solemnity of Christ the King: Singing as an Expression of Love and Ecclesial Unity
Within the context of the Holy Year 2025, St. Peter’s Square was transformed this Sunday, November 23, into a vast stage of praise and harmony, where more than 60,000 faithful, pilgrims, and choir members from around the world gathered to celebrate the Jubilee of Choirs and Choral Societies. Pope Leo XIV presided over Holy Mass on the Solemnity of Our Lord Jesus Christ, King of the Universe, and in his homily addressed a moving message to liturgical musicians and singers, inviting them to see in their service a true synodal journey of faith, hope, and shared joy. This celebration, which included the Marian prayer of the Angelus and the Pope’s journey in the popemobile along the Via della Conciliazione to greet those present, underscored the essential role of music in the life of the Church, as a bridge uniting diverse voices in a single melody of love for God.
The Pope, beginning with the responsorial psalm—”Let us go with joy to meet the Lord” (Psalm 122)—invited the assembly to journey together toward Christ, the meek and humble King whose throne is the cross and whose power is manifested in divine mercy. “His kingdom shines forth in the world through the cross, where God reigns from the wood as Prince of Peace,” Leo XIV recalled, emphasizing that this love is the profound inspiration of all liturgical chant. The choirs, present at this Eucharist with their voices raised in hymns and psalms, were greeted as living witnesses of grace, offering their talents “for the glory of God and the spiritual edification of our brothers and sisters” (cf. Second Vatican Council, Sacrosanctum Concilium , 120).
In his reflection, the Pope evoked the universal dimension of music, a gift from great civilizations to express “what we carry deep in our hearts and what words cannot always express.” Quoting St. Augustine—“Cantare amantis est” (Sermon 336, 1)—he explained that “singing is proper to one who loves,” an act that unites mind, feelings, body, and soul in communicating the great truths of life. For the People of God, song becomes the “new song” that the risen Christ raises to the Father, making all the baptized participants in one body animated by the Spirit. Thus, choir members become “singers of grace,” children of the Church who find in the Risen Lord the inexhaustible source of their praise. Liturgical music, in this sense, is not mere decoration, but a valuable instrument for the service of praise and the expression of joy in the new life of Christ.
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Leo XIV extended this poetic image to the ecclesial journey: like weary pilgrims, the faithful walk singing, anticipating the joy of the final encounter with God. “Sing, but walk […], advance in goodness” (Sermon 256, 3), exhorted St. Augustine, and the Pope applied this teaching to the life of choirs: “Being part of a choir means moving forward together, taking our brothers and sisters by the hand, helping them walk with us and singing God’s praise with them, consoling them in their sufferings, and encouraging them when weariness seems to overcome them.” This dynamic reflects the Church on the move, an “authentic synodal reality” that shares the vocation to praise in a pilgrimage of love and hope.
Delving deeper into unity, the Holy Father turned to St. Ignatius of Antioch, who saw in the “symphonic and harmonious love” of a choir the very voice of Christ: “Let each one of you also become a choir, so that, in the harmony of your concord, you may take up the tone of God in unity” ( To the Ephesians , 4). The diverse voices harmonizing in a single melody symbolize the Church, which unites all in love, weaving a “gentle melody” of concord. Liturgical choirs, active primarily in the Eucharistic service, demand preparation, fidelity, and a profound spiritual life: “If you pray by singing, help everyone to pray.” They require discipline and a spirit of service, especially in solemn liturgies, but always in communion with the community, avoiding the kind of exhibitionism that excludes the active participation of the assembly.
As in any family—and the choir is a “small family” united by a love of music—tensions and fatigue arise, but the Pope sees them as a reflection of the Church’s historical journey, full of alternating trials and joys. Singing eases this journey, instilling consolation and enthusiasm. “Commit yourselves, therefore, to transforming your choirs ever more into a marvel of harmony and beauty; be ever more a shining image of the Church praising her Lord,” urged Leo XIV, recalling the conciliar Magisterium to guide their service. Be vigilant, he added, so that your spiritual life authentically elevates liturgical grace, involving the people of God without elitism.
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At the close of his homily, the Pope entrusted the choir members to Saint Cecilia, the Roman virgin and martyr whose “song of love” was her total surrender to Christ, offering the Church a luminous witness of faith and love. “Let us continue singing and make our own, once again, the invitation of the psalm: ‘Let us go with joy to meet the Lord,'” he concluded, sealing a celebration that resonated like a collective hymn to the mercy of the King of the Universe.
Full text of the homily:
JUBILEE OF CHOIRS
HOLY MASS
HOMILY OF POPE LEO XIV
St Peter’s Square
Solemnity of Our Lord Jesus Christ, King of the Universe
Sunday, 23 November 2025
_______________________________________
Dear sisters and brothers,
In the responsorial Psalm, we have sung, “Let us go rejoicing to the house of the Lord” (cf. Ps 122). Today’s liturgy invites us, therefore, to walk together in praise and joy towards the encounter with the Lord Jesus Christ, King of the Universe, gentle and humble Sovereign, the One who is the beginning and end of all things. His power is love, his throne the Cross, and through the Cross his Kingdom shines forth upon the world. “From the wood he reigns” (cf. Hymn Vexilla Regis) as Prince of Peace and King of Justice who, in his Passion, reveals to the world the immense mercy of God’s heart. This love is also the inspiration and motive for your singing.
Dear choristers and musicians, today you celebrate your jubilee and you show thanks to the Lord for granting you the gift and grace to serve him by offering your voices and talents for his glory and for the spiritual edification of your brothers and sisters (cf. Constitution on the Sacred Liturgy Sacrosanctum Concilium, 120). Your task is to draw others into the praise of God and to help them to participate more fully in the liturgy through song. Today, you fully express your “iubilum,” your exultation, which flows from hearts overflowing with the joy of grace.
Great civilizations have given us the gift of music in order to express what we carry deep in our hearts and what words cannot always convey. Music can give expression to the whole range of feelings and emotions that arise within us from a living relationship with reality. Singing, in particular, constitutes a natural and refined expression of the human being: mind, feelings, body and soul come together to communicate the great events of life. As Saint Augustine reminded us: “Cantare amantis est” (cf. Sermo 336,1), that is, “singing belongs to those who love.” Those who sing give expression to love, but also to the pain, tenderness and desire that dwell in their hearts, while at the same time, loving those to whom they address their song (cf. Enarrationes in Psalmos, 72,1).
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For the people of God, song expresses invocation and praise. It is the “new song” that the Risen Christ raises to the Father, in which all the baptized participate as one body animated by the new life of the Spirit. In Christ, we become singers of grace, children of the Church who discover in the Risen One the cause of our praise. Liturgical music thus becomes a precious instrument through which we carry out our service of praise to God and express the joy of new life in Christ.
Saint Augustine exhorts us, again, to sing while we walk, like weary travelers who find in song a foretaste of the joy they will experience when they reach their destination. “Sing, but continue your journey […] progress in virtue” (Sermon 256, 3). Being part of a choir means advancing together, therefore, taking our brothers and sisters by the hand and helping them to walk with us. It means singing the praises of God together, consoling our brothers and sisters in their suffering, exhorting them when they seem to give in to fatigue and encouraging them when difficulties seem to prevail. Singing reminds us that we are a Church on a journey, an authentic synodal reality capable of sharing with everyone the vocation to praise and joy on this pilgrimage of love and hope.
Saint Ignatius of Antioch also employs moving words to express the relationship between the song of the choir and the unity of the Church: “From your unity and harmonious love, sing to Jesus Christ. And let each one become a choir, so that being harmonious of your arrangement and taking up the song of God in unison, you may with one voice sing to the Father through Jesus Christ, that he may both hear you and recognize you for your good works” (Saint Ignatius of Antioch, Ad Ephesios, IV). In fact, the different voices of a choir harmonize with each other, giving rise to a single hymn of praise, a luminous symbol of the Church, which unites everyone in love in a single pleasing melody.
You belong to choirs that carry out their ministry primarily in liturgical settings. Yours is a true ministry that requires preparation, commitment, mutual understanding and, above all, a deep spiritual life, so that when you sing, you both pray and help everyone else to pray. This ministry requires discipline and a spirit of service, especially when preparing for a solemn liturgy or an important event in your communities. The choir is a small family of individuals united by their love of music and the service they offer. However, remember that the community is your larger family. You are not on stage, but rather a part of that community, endeavoring to help it grow in unity by inspiring and engaging its members. As in all families, tensions or minor misunderstandings can arise. These things are normal when working together and striving to achieve a goal. We can say to some extent that the choir symbolizes of the Church, which, striving toward its goal, walks through history praising God. Even when this journey is beset by difficulties and trials and joyful moments give way to more challenging ones, singing makes the journey lighter, providing relief and consolation.
Strive, therefore, to make your choirs ever harmonious and beautiful, and a brighter image of the Church praising her Lord. Study the Magisterium carefully. The conciliar documents set out the norms for carrying out your service in the best possible way. Above all, dedicate yourselves to facilitating the participation of the people of God, without giving in to the temptation of ostentation, which prevents the entire liturgical assembly from actively participating in the singing. In this, be an eloquent sign of the Church’s prayer, expressing its love for God through the beauty of music. Take care that your spiritual life is always worthy of the service you perform, so that your ministry may authentically express the grace of the liturgy.
I place all of you under the protection of Saint Cecilia, the virgin and martyr who raised the most beautiful song of love through her life here in Rome, giving herself entirely to Christ and offering the Church a shining example of faith and love. Let us continue singing and once again make our own the invitation of today’s responsorial psalm: “Let us go rejoicing to the house of the Lord.”
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